Letzte Möglichkeit

After performances in New York and Lyon, Natalia Osipova's Pure Dance returns.

The heart-warming and hilarious Broadway show based on the classic movie starring Tom Hanks, comes to The Dominion Theatre for its West End premiere.

Grab your Mickey ears and get ready for the ultimate Disney experience when Disney On Ice celebrates 100 Years of Magic and skates into a city near you. 

Direct from its sold-out run at the Menier Chocolate Factory, Tony and Olivier award-winning director Trevor Nunn’s ‘exuberant revival’ (The Telegraph) of the classic Broadway musical Fiddler on the Roof transfers to the West End for a strictly limited run. The Playhouse Theatre will be specially transformed into an immersive space for this ‘shiveringly intimate chamber musical about family’ (The Times).

 

For 16 weeks only, Cameron Mackintosh's production of Boublil and Schönberg's LES MISÉRABLES will star Michael Ball (Javert), Alfie Boe (Jean Valjean), Carrie Hope Fletcher (Fantine) and Matt Lucas (Thénardier) in a spectacular and intimate staging of the legendary concert previously seen in London at the Royal Albert Hall and The O2. Katy Secombe also joins to play Madame Thénardier and for three performances a week, the role of Jean Valjean will be played by John Owen-Jones.

The double Tony Award winning Falsettos is a hilarious and poignant look at a modern family revolving around the life of a gay man Marvin, his wife, his lover, his soon to be bar mitzvahed son, their psychiatrist, and the lesbians neighbours.

Originally created under the spectre of the AIDS crisis, this ground-breaking musical about family dynamics manages to remain buoyant and satirically perceptive even as it moves towards its heartbreaking conclusion.

Selladoor Productions, producers of 9 to 5 The Musical, Big Fish, American Idiot and Avenue Q, bring Falsettos to London for the very first time serving as a timely reminder that love really is the most beautiful thing in the world.

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, transfers to the Duke of York’s theatre for ten weeks only from 24 August.
 
Written by the internationally acclaimed Florian Zeller, lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst and forms the final part of the critically acclaimed trilogy with The Father and The Mother.
 
I’m telling you. I don’t understand what’s happening to me.
 
Nicolas is going through a difficult phase after his parents’ divorce. He’s listless, skipping school, lying and thinks that moving in with his father and his new family may help. A fresh start. When he doesn’t settle there either, he decides that going back to his mother’s may be the answer. When change feels like the only way to survive, what will he do when the options begin to run out?

Heaven’s overrated.
Hell is where the party’s at.

Director Emma Rice makes her ENO debut in a glitzy production that showcases her talents for theatrical spectacle and humour.

Orpheus in the Underworld transports us to a hedonistic, party-filled Underworld.

Losing love hurts.
Keep moving.
Don’t look back.

Harrison Birtwistle’s iconic masterpiece retells the Orpheus myth in a non-linear narrative, as the opera’s leading characters appear in three distinct guises.

Willing to go to any lengths to be reunited with his one true love, the gods agree to let the grief-stricken Orpheus rescue his wife Eurydice from the underworld. But there’s a catch. To be together again, Orpheus can’t look back at Eurydice, or she will be lost to him forever.

Gluck’s score is filled with sublime melody and richly colourful orchestral writing from Orpheus’s anguished outbursts at Eurydice’s death, through to the exquisite classical beauty of the ‘Dance of the Blessed Spirits’.

The Girl who Fell is a poignant and darkly funny play about loss, guilt and Snapchat from the “provocative and entertaining” Sarah Rutherford (Telegraph), former Writer in Residence at Park Theatre and writer of sell-out hit Adult Supervision.

On a space station orbiting Solaris, three scientists have made contact with a new planet.

Sent from earth to investigate reports of abnormal activity on-board, Kris Kelvin arrives to find one crew member dead and two who are seeing things that cannot be explained.

When her dead lover appears to her, it seems she too has fallen victim to the mystery of this strange planet. Should she return to reality, or is this her chance to turn back time?

Have the crew been studying Solaris – or has it been studying them?

This psychological thriller asks who we are when we’re forced to confront our deepest fears.

★★★★★ ‘Astonishing… startling story of a heavenly ‘visitation’’ The Guardian

In 1981 at Kibeho College in Rwanda, a young girl claimed to have seen a vision of the Virgin Mary who warned her of the unimaginable: Rwanda becoming hell on Earth. She was ignored by her friends and scolded by her school but then another student saw the vision, and another, and the impossible appeared to be true.

Giving a haunting insight into the extraordinary true events that captured the world’s attention, this vibrantly theatrical meditation on faith, doubt and miracles was hailed as ‘the most important play of the year’ by The Wall Street Journal when it premiered in New York in 2014. OUR LADY OF KIBEHO is the latest work from Olivier Award-winning writer Katori Hall, whose previous plays include Tina: The Tina Turner Musical and The Mountaintop.

Marking 25 years since the Rwandan genocide, this striking drama now has its London premiere at Stratford East in a remount of James Dacre’s critically-acclaimed production. Dacre is Artistic Director of Royal & Derngate, Northampton and premiered Katori Hall’s The Mountaintop (Olivier Award for Best New Play in 2010).

'I could fly to New York and back every day for seven years and still not leave a carbon footprint as big as if I have a child. Ten thousand tonnes of CO2.

That’s the weight of the Eiffel Tower. I’d be giving birth to the Eiffel Tower’

The ice caps are melting, there’s overpopulation, political unrest; everything’s going to hell in a handcart – why on earth would someone bring a baby into this world?
 

After a critically acclaimed national and international tour, Carlos Acosta’s eclectic Cuban company bring a second programme of ballet and contemporary works to Sadler’s Wells.

In a thrilling collaboration, dancers of Birmingham Royal Ballet and Ballet Black appear on stage together in a mixed bill featuring Cathy Marston’s National Dance Award-winning The Suit, Twyla Tharp’s sizzling tribute to Old Blue Eyes, Nina Sinatra Songs and a new work from Jack Lister, commissioned as part of Ballet Now.

True to its 19th century origins and the original steps of Marius Petipa, David Bintley and Galina Samsova’s production of Giselle is the perfect opportunity to see one of the most exquisite examples of this classical ballet in its traditional form. 

Game-changer in the world of tap, Michelle Dorrance had dedicated herself to exploring the capabilities of America’s original dance form. In an exhilarating diverse triple bill, her company proves just what tap can do.

ZooNation’s smash-hit sensation Some Like It Hip Hop thrilled audiences and critics when it opened in 2011, prompting five-star reviews and standing ovations with its infectious “wit, heart and magnificent energy” (The Independent).

Scouring the globe each year for the next generation of contemporary dance talent, Rambert2 selects its dancers for both their technical virtuosity and their raw energy.

Born in Israel and now based in France, the double Bessie Award-winning choreographer Emanuel Gat initially trained as a conductor before shifting his attention to dance.

Merce Cunningham, master of improvisation, devised his revolutionary Event format to combine dance, music and design in a way that was unique to each location and performance.

This thrilling new play from Laura Wade, the winner of this year's Olivier Award for Best New Comedy (Home I'm Darling), is making its London premiere at the Menier Chocolate Factory after a sell-out season at the Chichester Festival Theatre last year.

What happens when the writer loses the plot?

Emma Watson is nineteen and new in town. She’s been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast. If not, they face poverty, spinsterhood, or worse: an eternity with their boorish brother and his awful wife.